‘’(you'll remember, Paul, you and I recently agreed the first volume of Being and Event is a bit boring, and I'm increasingly interested in what we agreed about).’’
I just wanted to add some words since I really do feel like I have not been blogging here enough.
I suppose in the same way that Latour is both entertaining and a good thinker Badiou is both a bad writer and a good thinker. I guess the real problem would be to encounter a bad thinker who writes well. Philosophy, I think, tends to operate somewhere around the limits of boredom. Sometimes philosophers buck the trend. I suspect very few people are bored when reading Harman’s books (except when he has to talk about Heidegger but we can safely blame Heidegger for this). I do suspect that many people find reading through Being and Event a kind of chore – that is many readers will feel that they must read Badiou to keep up [one read’s Badiou after all…] even if, and here philosophy is a rather odd discipline, one finds the entire process terribly mundane. And all this for a discipline where you might not even get a proper grasp on what is happening in a text until you re-read it [that is re-read something you already know is boring!]. And then there is the math. Math! So what I think we agreed on was something more than that it is ‘merely’ boring, to link us up with Heidegger, since to call a book of philosophy boring is never enough to dismiss it - which is why Harman does not end PoN once he has convinced us that Latour is entertaining and the heavy lifting comes in showing Latour's metaphysical bona fides.
I remember coming across Hegel’s section on death and the negative (in the PofS) for the first time [the famous tarrying with the negative section]. I will never be able to articulate just how intense that moment of reading was for me, but not 3 minutes before coming across this section I was probably yawning and thinking about my next cup of coffee.
Showing posts with label Reading. Show all posts
Showing posts with label Reading. Show all posts
Sunday, February 21, 2010
Tuesday, January 12, 2010
Creature of habitus: Latour on Bourdieu Pt. 1
Hi guys. Back from my road trip and returning to active duty. I definitely want to weigh in on the plasma/secularism question, but in the meantime here is the first of a few posts I started preparing before the holidays, on Latour and Pierre Bourdieu.
The subject of Latour's relation to Bourdieu is so complicated that I'm going to have to split it up over several posts. Before I get started, I'll quickly indicate what I think the complications are. There are basically four: (1) Bourdieu was arguably the central figure in French sociology from the early 1960s until his death in 2002 and Latour is, from what I understand, frequently seen to be his successor in this role; (2) Latour is heavily critical of Bourdieu in Reassembling the Social; (3) Bourdieu, for his part, attacked Latour and science studies in one of his last books, Science of Science and Reflexivity; and finally (4) Bourdieu has been a very strong influence on me personally, basically serving as my entry point into the world of sociology and social theory — so for me to accept Latour's pretty much wholesale dismissal of "critical sociology" requires a good deal of rethinking and unlearning on my part, a process which is still taking its way. (And this is interesting, actually, because one of the points of disagreement between Bourdieu and Latour is, essentially, about the way learning works, and how permanent and conscious it is — more about this in a moment.) So we have (1) what sociology thinks of Bourdieu and Latour, (2) what Latour thinks of Bourdieu, (3) what Bourdieu thinks of Latour, and (4) what I think of both of them, and whether they admit of being combined — that's a lot to cover. I'll do my best.
In this first post I'll have nothing to say about (3) — Bourdieu's Latour — and I'll focus on (2), with (1) and (4) perhaps bleeding in at the edges.
According to the index of Reassembling the Social, there are ten direct references to Bourdieu, though he's present by implication in many other passages — whenever Latour starts referring to "critical sociology" or "reflexivity," for example. In fact, despite the general spirit of opposition, a number of the citations of Bourdieu's work are rather admiring, though nearly all of these refer to Bourdieu's 1977 Outline of a Theory of Practice (cf. 101, 169, 175). Thus it seems fairly easy to see that the Bourdieu that Latour values is the close examiner of local interactions and the thinker of habitus, not the analyst of fields and capital that emerges in Bourdieu's work from Distinction on. This is a Bourdieu that Latour can plausibly associate with interactionism and ethnomethodology, a "micro" or "local" Bourdieu, as opposed to the "macro" or "global" Bourdieu we get with the subsequent development of field theory. This is consistent with Latour's general resistance, all throughout Reassembling the Social, to "contexts" or "frameworks" of any kind: it makes sense that he would like the "genetic" Bourdieu that is attentive to the tiniest behavioral tics and traces, but not the "structural" Bourdieu that uses all this data to build new versions of the class structure to correlate with this behavior. That is, Latour doesn't want to know, or claim to know, what the outside of the network consists of; he doesn't want to "fill in the blanks" as he puts it somewhere.
So one could imagine many of Bourdieu's analyses of social causation of seemingly natural human behavior adapted to actor-network theory — in a sense he's all about breaking up the nature-society divide, after all — but not the claim that such causation forms a rational structure or system. The point here is, Latour likes habitus, and he makes advances on the concept in the latter part of his chapter "Second Move: Redistributing the Local." For instance, here's Latour at his most Bourdieuvian (in thought, if not in style):
How many circulating clichés do we have to absorb before having the competence to utter an opinion about a film, a companion, a situation, a political stance? If you began to probe the origin of each of your idiosyncrasies, would you not be able to deploy, here again, the same star-like shape [i.e., a network] that would force you to visit many places, people, times, events that you had largely forgotten? That tone of voice, this unusual expression, this gesture of the hand, this gait, this posture, aren't these traceable as well? And then there is the question of your inner feelings. Have they not been given to you? Doesn't reading novels help you know how to love? How would you know which group you pertain to without ceaselessly downloading some of the cultural clichés that all the others are bombarding you with? (209)
Again, though it's a little more lyrical in tone, this could be taken from Distinction, Bourdieu's massive "social critique of the judgment of taste." So far it sounds as though Latour is merely recapitulating Bourdieu's own meditations on habitus: we incorporate into our bodies something from outside, which then gets reproduced as seemingly spontaneous and context-specific action (judging a film, taking a political stance, loving a person, et al.). But where Bourdieu always insists on the habitus as a "structuring structure" — that is, not so much habits or skills as a way of seeing the world ("principles of vision and division," is the way he frequently puts it) — Latour characteristically wants to keep each habit or competence discrete. That word "downloading" should tip us off that something different is going on here: and in fact Latour's (admittedly, somewhat sketchy) rethinking of habitus is built around the internet-era idea of "plug-ins," "borrowing this marvelous metaphor from our new life on the Web":
When you reach some site in cyberspace, it often happens that you see nothing on the screen. But then a friendly warning suggests that you "might not have the right plug-ins" and that you should "download" a bit of software which, once installed on your system, will allow you to activate what you were unable to see before. What is so telling about the metaphor of the plug-in is that competence doesn't come in bulk any longer but literally in bits and bytes … Being a fully competent actor now comes in discreet [sic] pellets or, to borrow from cyberspace, patches and applets, whose precise origin can be "Googled" before they are downloaded and saved one by one. (207)
Rather than just somehow absorbing a principle of vision and division and then unconsciously letting it dictate the way we respond to any given situation (the way Bourdieu argues that class habitus, preeminently, does), Latour proposes that we grab very specific competences that will only come in handy in a very few situations, and then either use them or not. Also, where Bourdieu would insist that a habitus, once acquired, can only be altered or replaced by stringent conditioning, Latour rather suggests a "use it or lose it" proposition: we have to "ceaselessly download" competences or we forget them. In sum, Latour has a more volitional and specific
idea of how habitus works: it's not a mysterious creature that gets inside you and bursts out of you just when you think you're all alone (in An Invitation to Reflexive Sociology Bourdieu compares it to the creature in Alien), but a guest you willingly invite inside (more vampire than alien?), or, better, a party favor you take home, but are always at the risk of misplacing. The difference from Bourdieu gets underlined here: "If you take each of the rubrics as the mere 'expression' of some dark social force, then their efficacy disappears. But if you remember that there is nothing beyond and beneath, that there is no rear-world of the social, then is it not fair to say that they make up a part of your own cherished intimacy?" (209)
So, to finish this up in the spirit of Latour — and very much not in the spirit of Bourdieu — with a personal reminiscence. I spent basically a year reading through Bourdieu's work (and, as you've reported elsewhere, it really takes about a year of serious reading to get fully comfortable with a theorist). I gained a tremendous amount from it: it gave me an amazing sense of the field of theory, as well as providing numerous stylistic and conceptual tools I could put to work, and it even affected my political and moral opinions. In a real sense, then, it changed the way I think. On Bourdieu's view, I significantly altered my habitus by reading him: I made a series of epistemological breaks with my old, pre-Bourdieuvian self and ended up with new "principles of vision and division" that governed how I saw and thought about everything.
The trouble was, it also made me deeply unhappy in a lot of ways. (I can't lay all of this at Bourdieu's doorstep: last year was a tough one for a number of reasons, but certainly reading him was a major part of it, and the only one that's relevant here.) I felt, as I think many graduate students feel when immersing themselves in a single theorist's work, taken over or subjected t0 Bourdieu's thought more than I wanted to be. The influence was too powerful, too total. And beginning to read Latour seriously has been part of a larger project of attempting to extricate myself from Bourdieu a little, or eliminate some of what Bourdieu had managed to incorporate into me (along the lines of the logic of the pharmakon: the cure for too much social theory is… more social theory!). But I also haven't wanted to lose what I gained from reading Bourdieu and being, in some sense, "taken over" by him. On Latour's view — and this is the great thing about it, I think — I don't have to make yet another epistemological break and throw over Bourdieu for Latour, reflexive critical sociology for ANT (however much the rhetorical antagonism toward
"the sociology of the social" throughout RTS might make that seem to be the case). In fact, on his view, I never acquired a Bourdieuvian habitus in the first place: I just subscribed to so many Bourdieuvian "plug-ins" that I was tricked into thinking that he really had taken me over and changed the whole way I see the world. So what I can do now, if I want, is download some new plug-ins from Latour, which may or may not be compatible with those previously acquired from Bourdieu — and if they're not and I find Latour's more useful, I can delete the old plug-ins. Not only this, but if I don't keep "ceaselessly downloading" Bourdieu's plug-ins — by rereading him, and talking about him, and putting his ideas to work — then they will stop acting on and in me whether I voluntarily delete them or not. And this seems true: what's surprising to me now is how much cognitive work I have to do to access Bourdieuvian concepts that at one time I could barely manage to think outside of. Depending on how you look at it, then, this whole question of "theoretical influence" has become either much less terrifying or much more daunting: because you don't have to worry so much about being "taken over," but you do need to do a lot more maintenance work.
OK, so that's habitus. I'll move from here into a post on structure and agency, and then finish by considering Bourdieu's critique of Latour.
The subject of Latour's relation to Bourdieu is so complicated that I'm going to have to split it up over several posts. Before I get started, I'll quickly indicate what I think the complications are. There are basically four: (1) Bourdieu was arguably the central figure in French sociology from the early 1960s until his death in 2002 and Latour is, from what I understand, frequently seen to be his successor in this role; (2) Latour is heavily critical of Bourdieu in Reassembling the Social; (3) Bourdieu, for his part, attacked Latour and science studies in one of his last books, Science of Science and Reflexivity; and finally (4) Bourdieu has been a very strong influence on me personally, basically serving as my entry point into the world of sociology and social theory — so for me to accept Latour's pretty much wholesale dismissal of "critical sociology" requires a good deal of rethinking and unlearning on my part, a process which is still taking its way. (And this is interesting, actually, because one of the points of disagreement between Bourdieu and Latour is, essentially, about the way learning works, and how permanent and conscious it is — more about this in a moment.) So we have (1) what sociology thinks of Bourdieu and Latour, (2) what Latour thinks of Bourdieu, (3) what Bourdieu thinks of Latour, and (4) what I think of both of them, and whether they admit of being combined — that's a lot to cover. I'll do my best.In this first post I'll have nothing to say about (3) — Bourdieu's Latour — and I'll focus on (2), with (1) and (4) perhaps bleeding in at the edges.
According to the index of Reassembling the Social, there are ten direct references to Bourdieu, though he's present by implication in many other passages — whenever Latour starts referring to "critical sociology" or "reflexivity," for example. In fact, despite the general spirit of opposition, a number of the citations of Bourdieu's work are rather admiring, though nearly all of these refer to Bourdieu's 1977 Outline of a Theory of Practice (cf. 101, 169, 175). Thus it seems fairly easy to see that the Bourdieu that Latour values is the close examiner of local interactions and the thinker of habitus, not the analyst of fields and capital that emerges in Bourdieu's work from Distinction on. This is a Bourdieu that Latour can plausibly associate with interactionism and ethnomethodology, a "micro" or "local" Bourdieu, as opposed to the "macro" or "global" Bourdieu we get with the subsequent development of field theory. This is consistent with Latour's general resistance, all throughout Reassembling the Social, to "contexts" or "frameworks" of any kind: it makes sense that he would like the "genetic" Bourdieu that is attentive to the tiniest behavioral tics and traces, but not the "structural" Bourdieu that uses all this data to build new versions of the class structure to correlate with this behavior. That is, Latour doesn't want to know, or claim to know, what the outside of the network consists of; he doesn't want to "fill in the blanks" as he puts it somewhere.So one could imagine many of Bourdieu's analyses of social causation of seemingly natural human behavior adapted to actor-network theory — in a sense he's all about breaking up the nature-society divide, after all — but not the claim that such causation forms a rational structure or system. The point here is, Latour likes habitus, and he makes advances on the concept in the latter part of his chapter "Second Move: Redistributing the Local." For instance, here's Latour at his most Bourdieuvian (in thought, if not in style):
How many circulating clichés do we have to absorb before having the competence to utter an opinion about a film, a companion, a situation, a political stance? If you began to probe the origin of each of your idiosyncrasies, would you not be able to deploy, here again, the same star-like shape [i.e., a network] that would force you to visit many places, people, times, events that you had largely forgotten? That tone of voice, this unusual expression, this gesture of the hand, this gait, this posture, aren't these traceable as well? And then there is the question of your inner feelings. Have they not been given to you? Doesn't reading novels help you know how to love? How would you know which group you pertain to without ceaselessly downloading some of the cultural clichés that all the others are bombarding you with? (209)
Again, though it's a little more lyrical in tone, this could be taken from Distinction, Bourdieu's massive "social critique of the judgment of taste." So far it sounds as though Latour is merely recapitulating Bourdieu's own meditations on habitus: we incorporate into our bodies something from outside, which then gets reproduced as seemingly spontaneous and context-specific action (judging a film, taking a political stance, loving a person, et al.). But where Bourdieu always insists on the habitus as a "structuring structure" — that is, not so much habits or skills as a way of seeing the world ("principles of vision and division," is the way he frequently puts it) — Latour characteristically wants to keep each habit or competence discrete. That word "downloading" should tip us off that something different is going on here: and in fact Latour's (admittedly, somewhat sketchy) rethinking of habitus is built around the internet-era idea of "plug-ins," "borrowing this marvelous metaphor from our new life on the Web":
When you reach some site in cyberspace, it often happens that you see nothing on the screen. But then a friendly warning suggests that you "might not have the right plug-ins" and that you should "download" a bit of software which, once installed on your system, will allow you to activate what you were unable to see before. What is so telling about the metaphor of the plug-in is that competence doesn't come in bulk any longer but literally in bits and bytes … Being a fully competent actor now comes in discreet [sic] pellets or, to borrow from cyberspace, patches and applets, whose precise origin can be "Googled" before they are downloaded and saved one by one. (207)
Rather than just somehow absorbing a principle of vision and division and then unconsciously letting it dictate the way we respond to any given situation (the way Bourdieu argues that class habitus, preeminently, does), Latour proposes that we grab very specific competences that will only come in handy in a very few situations, and then either use them or not. Also, where Bourdieu would insist that a habitus, once acquired, can only be altered or replaced by stringent conditioning, Latour rather suggests a "use it or lose it" proposition: we have to "ceaselessly download" competences or we forget them. In sum, Latour has a more volitional and specific
idea of how habitus works: it's not a mysterious creature that gets inside you and bursts out of you just when you think you're all alone (in An Invitation to Reflexive Sociology Bourdieu compares it to the creature in Alien), but a guest you willingly invite inside (more vampire than alien?), or, better, a party favor you take home, but are always at the risk of misplacing. The difference from Bourdieu gets underlined here: "If you take each of the rubrics as the mere 'expression' of some dark social force, then their efficacy disappears. But if you remember that there is nothing beyond and beneath, that there is no rear-world of the social, then is it not fair to say that they make up a part of your own cherished intimacy?" (209)So, to finish this up in the spirit of Latour — and very much not in the spirit of Bourdieu — with a personal reminiscence. I spent basically a year reading through Bourdieu's work (and, as you've reported elsewhere, it really takes about a year of serious reading to get fully comfortable with a theorist). I gained a tremendous amount from it: it gave me an amazing sense of the field of theory, as well as providing numerous stylistic and conceptual tools I could put to work, and it even affected my political and moral opinions. In a real sense, then, it changed the way I think. On Bourdieu's view, I significantly altered my habitus by reading him: I made a series of epistemological breaks with my old, pre-Bourdieuvian self and ended up with new "principles of vision and division" that governed how I saw and thought about everything.
The trouble was, it also made me deeply unhappy in a lot of ways. (I can't lay all of this at Bourdieu's doorstep: last year was a tough one for a number of reasons, but certainly reading him was a major part of it, and the only one that's relevant here.) I felt, as I think many graduate students feel when immersing themselves in a single theorist's work, taken over or subjected t0 Bourdieu's thought more than I wanted to be. The influence was too powerful, too total. And beginning to read Latour seriously has been part of a larger project of attempting to extricate myself from Bourdieu a little, or eliminate some of what Bourdieu had managed to incorporate into me (along the lines of the logic of the pharmakon: the cure for too much social theory is… more social theory!). But I also haven't wanted to lose what I gained from reading Bourdieu and being, in some sense, "taken over" by him. On Latour's view — and this is the great thing about it, I think — I don't have to make yet another epistemological break and throw over Bourdieu for Latour, reflexive critical sociology for ANT (however much the rhetorical antagonism toward
"the sociology of the social" throughout RTS might make that seem to be the case). In fact, on his view, I never acquired a Bourdieuvian habitus in the first place: I just subscribed to so many Bourdieuvian "plug-ins" that I was tricked into thinking that he really had taken me over and changed the whole way I see the world. So what I can do now, if I want, is download some new plug-ins from Latour, which may or may not be compatible with those previously acquired from Bourdieu — and if they're not and I find Latour's more useful, I can delete the old plug-ins. Not only this, but if I don't keep "ceaselessly downloading" Bourdieu's plug-ins — by rereading him, and talking about him, and putting his ideas to work — then they will stop acting on and in me whether I voluntarily delete them or not. And this seems true: what's surprising to me now is how much cognitive work I have to do to access Bourdieuvian concepts that at one time I could barely manage to think outside of. Depending on how you look at it, then, this whole question of "theoretical influence" has become either much less terrifying or much more daunting: because you don't have to worry so much about being "taken over," but you do need to do a lot more maintenance work.OK, so that's habitus. I'll move from here into a post on structure and agency, and then finish by considering Bourdieu's critique of Latour.
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Wednesday, December 16, 2009
Some first thoughts
At some stage I hope to have something to say on the whole issue of technics from the Heidegger-Stiegler-McLuhan-Latour angle but it seems at the moment something quite difficult and therefore to be wholeheartedly avoided in the dark month of December.
As an introductory note I work broadly within the post-Kantian German philosophical tradition on topics like the ancestral, deep time, space/place, objects, technics, and more and more ‘nature’. I exist in the orbit of object oriented ontology but call my own position an unorthodox phenomenological realism which just means I disown the Husserlian move toward transcendental idealism.
Since I don’t have a strong background in theory, sociology, or much else besides philosophy Latour came to me via the Harman route. I suppose one problem with this mediation is that to me Latour was never pre-philosophical. I look through his work with a philosophical lens slightly miffed by all the in-house chatter about the social sciences and hoping to find Latour with his metaphysics on show somewhere, anywhere. So I suppose one theme of my reading will be: is Latour a metaphysician or not? A second concern will be the extent to which Latour fits into the philosophy of technics (in my own tetrad of thinkers of technics outlined above). Finally I’d like to investigate the weird public space that inhabits Latour’s work in all its gory immanence, promised plasma and Catholic grandness. How deep is Latour’s work? That is more or less what I want to find out.
At this stage I have only fully read ‘We Have Never Been Modern’ and it was not what I expected. My reaction was and remains negative. I want to get to the heart of why WHNBM remains to me a badly argued book. I especially want to do this because I’m immensely enjoying ‘Aramis’. WHNBM is a slightly weird book in that it draws on strange implements to illuminate its message and I think this has the effect of frustrating the reader (quite simply what happening and why is he using such weird examples...maybe he has an easier book etc). Cynics will argue that I was horrified by his section on Heidegger but even here it’s just a short polemical blast without much gain. So I’ll have to leave WHNBM outside in the cold like a dog that’s just chewed up the sofa.
What struck me about the reading of Heidegger in WHNBM is how deeply it related to the later Heidegger ignoring more basic affinities such as the material interconnections one finds in ‘Reassembling the Social.’ I suppose for Latour it is always a question of does this thinker obscure rather than brighten up the basic encounter with things? In Heidegger the ontological difference becomes a giant mediating distance between reader and the things rather than, as is often presumed, one enters the referential totality via an identification of the ‘existence’ of the ontological difference. Accepting that Latour is a fast-paced thinker, almost intent on bypassing every formal rule presented to him, Heidegger can only be a barrier and certainly Heidegger rarely teaches by example (the lectern example is used by both Heidegger and in a broader sense Latour in RAS) whereas Latour argues by example(s): this happens, then this happens, and now do you see how the plane of reality functions? No, let’s keep going...ever put on your seatbelt and notice that... etc.
As an introductory note I work broadly within the post-Kantian German philosophical tradition on topics like the ancestral, deep time, space/place, objects, technics, and more and more ‘nature’. I exist in the orbit of object oriented ontology but call my own position an unorthodox phenomenological realism which just means I disown the Husserlian move toward transcendental idealism.
Since I don’t have a strong background in theory, sociology, or much else besides philosophy Latour came to me via the Harman route. I suppose one problem with this mediation is that to me Latour was never pre-philosophical. I look through his work with a philosophical lens slightly miffed by all the in-house chatter about the social sciences and hoping to find Latour with his metaphysics on show somewhere, anywhere. So I suppose one theme of my reading will be: is Latour a metaphysician or not? A second concern will be the extent to which Latour fits into the philosophy of technics (in my own tetrad of thinkers of technics outlined above). Finally I’d like to investigate the weird public space that inhabits Latour’s work in all its gory immanence, promised plasma and Catholic grandness. How deep is Latour’s work? That is more or less what I want to find out.
At this stage I have only fully read ‘We Have Never Been Modern’ and it was not what I expected. My reaction was and remains negative. I want to get to the heart of why WHNBM remains to me a badly argued book. I especially want to do this because I’m immensely enjoying ‘Aramis’. WHNBM is a slightly weird book in that it draws on strange implements to illuminate its message and I think this has the effect of frustrating the reader (quite simply what happening and why is he using such weird examples...maybe he has an easier book etc). Cynics will argue that I was horrified by his section on Heidegger but even here it’s just a short polemical blast without much gain. So I’ll have to leave WHNBM outside in the cold like a dog that’s just chewed up the sofa.
What struck me about the reading of Heidegger in WHNBM is how deeply it related to the later Heidegger ignoring more basic affinities such as the material interconnections one finds in ‘Reassembling the Social.’ I suppose for Latour it is always a question of does this thinker obscure rather than brighten up the basic encounter with things? In Heidegger the ontological difference becomes a giant mediating distance between reader and the things rather than, as is often presumed, one enters the referential totality via an identification of the ‘existence’ of the ontological difference. Accepting that Latour is a fast-paced thinker, almost intent on bypassing every formal rule presented to him, Heidegger can only be a barrier and certainly Heidegger rarely teaches by example (the lectern example is used by both Heidegger and in a broader sense Latour in RAS) whereas Latour argues by example(s): this happens, then this happens, and now do you see how the plane of reality functions? No, let’s keep going...ever put on your seatbelt and notice that... etc.
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Monday, November 30, 2009
Fables
It's interesting that there are so many fables in Latour--especially in Pandora's Hope, though We Have Never Been Modern is indeed one big fable. "Do You Believe in Reality?" sketches out the problem of skepticism over the years along these fabular lines, and "A Politics Freed from Science" sketches out in mythical terms the relation of politics to science and scientists:
By unwinding the adventures of Reason, we can imagine how it was before it turned into an unlivable chimera, a monstrous Big Animal whose unrest horrifies the masters even today. Needless to say, this is an attempt at archaeology-fiction: the invention of a mythical time when political truth-saying would have been fully understood, a world that was later lost through the accumulation of mistakes and degeneration (237).
The essay in other words seeks to see how reason worked in politics (through a reading of the Gorgias) in order to politicize science--since scientists would make politics external to science precisely by claiming reason isn't political. Reason, in other words, is not expert knowledge.
In true Nietzschian fashion (I am tagging this as I go: someday we can return to all these #Nietzsche-s), there's a lot of Socrates-bashing along these lines:
To see a political project through, with the crowd, for the crowd, in spite of the crowd, is so stunningly difficult that Socrates flees from it. But instead of conceding defeat and acknowledging the specificity of politics, he destroys the means of practicing it, in a sort of scorched-earth policy the blackened wreckage of which is still visible today. And the torch that set the public buildings ablaze is said to be that of Reason! (239)
The utterly non-Nietzschian thing here is that this does not describe war, but rather the state of peace and politics (which is why, by the way, Latour refuses to see the science wars as a war, and not as a political crisis for the sciences, which I think is an unbelievably brilliant move, killing off the "two cultures" bullshit--which, remember, is C.P. Snow's depressingly British, moralistic formulation--for good). Nietzsche was, after all, quite apolitical--unless you stretch him or modify him (sorry, Nietzschians).
Regardless, Latour goes on to outline a political reason that "cannot possibly be the object of professional knowledge" (239), and reconstructing the original Body Politic by "simply taking positively the long list of negative remarks of Plato" (237). What's really interesting is that this all involves a reversal of the role of rhetoric (which, however, does not land him in an English department dripping with postmodern extensions of Sapir-Whorf)--something evident of course from Science in Action onward but something we haven't quite really remarked upon yet (except in terms of fiction). Socrates makes politics into rhetoric, and then his whole philosophical effort turns around deciding "what sort of knowledge rhetoric is" (239). Latour turns this around not by celebrating rhetoric and mobilizing it against Socrates' knowledge (a la Derrida in Dissemination--and everywhere else). Rather, he thinks rhetoric is first and foremost political, and therefore its relationship to knowledge (Socrates' focus) has less weight than its ability to shape reality:
The nonprofessional nature of the knowledge of the people by the people turning the whole into an ordered cosmos and not a "disorderly shambles" [Latour quotes Plato] becomes, through a subtle shift, the right of a few rhetoricians to win over real experts if they know nothing (240).
Latour is fine with this, even though that shift is the shift of the Gorgias as a whole, i.e. a shift made by Plato following Socrates, and altering the remarks of Callicles--Latour's hero--and others. He's so fine, he goes on to say the following, in an unbelievably refreshing reconsideration of Sophism, which does not just valorize it (Derrida again), but also makes the Sophist's point differently:
What the Sophists meant was that no expert can win in the public agora because of the specific conditions of felicity that reign there (240).
But then comes Socrates, who changes this around by divorcing rhetoric from the political:
After Socrates' translation, this sensible argument becomes the following absurd one: any expert will be defeated by an ignorant person who knows only rhetoric (240).
You have to read the whole thing to see how great this argument is, but one thing I want to take away from it all is that rhetoric is returned out of language to the sphere of politics. When so much literary theory is based on the linguistic turn itself, this makes possible some notion that language, after all, is not that primary, and that perhaps theory can be something other than the assertion of the primacy of language or language-substitutes (traces)--with the corollary that if language isn't primary all of theory collapses (as some theorists now feel, as they come under attack from Latour-like realists). Nor does this mean that we have to return to some notion of reference, as pro-theory people (who see it developing along a suspiciously straight line) might assume, and which leads me to think that perhaps most theory (this is the entire aim of de Man's work) is not even an effort to deal with the primacy of language so much as the effort to keep the referent suspended (something structuralist poetics did much better than any Foucauldian theory of discourses)… and that maybe a new consideration of the role of language is actually made possible by this Latourian position, beyond postmodernism.
Anyway, rhetoric is returned to politics, and thereby reason is never allowed to become apolitical, in this vast sort of alternate history Latour sketches out by reading the Gorgias against its author and main protagonist. And this fable, this counter-dialectic (in all senses), shows both the real state of politics and the real role of reason, by narrating how a specialized form of it "was kidnapped for a political purpose it could not possibly fulfill," (258), and turned, now, into the banner under which anti-political politics of science can mobilize.
In other words, the fable ends up as policy. But how did this happen? Like in "Do You Believe in Reality?" and We Have Never Been Modern, these fables--which suspiciously look like histories of ideas--are turned into those powers or punctuations (as Law calls them) which need to be undone by ANT. I guess Latour is thinking that as long as he's dealing with powers (with Constitutions), he might as well explicitly mark his own narratives as accounts of powers, not forces--that way they can be analyzed by ANT when the time comes. In other words, these fables (which so often deal with big terms--like realism, materialism, research, science, critique) shouldn't be taken as networks themselves, but power-sketches, organizations of the punctuations--a nice inversion of the task of real rhetoric, which would then be ANT itself, coming along to undo and make specific all of the fabular.
But that's not the whole story. For in the case of something like Aramis, or Pasteur--which, while they are novelized (or at least the story of the first is), are also case studies (and Aramis is indeed a true fiction, as Latour says in his intro)--we have something like these fables not working only in this sort of punctuated sphere. They are, rather, narratives that easily slip into ANT itself. How? Precisely through what you were noting a long time ago, Evan, and I too noticed: allegory--the weird way that pasteurization and now even the Aramis project itself works exactly like a network, before ANT gets to it and messes it up (shows it to be much larger, etc.).
Now, my question here about the fables--which is, in a way, a sort of basic question of how to take these sort of more general essays and works by Latour (like WHNBM itself)--is not just one of trying to figure out what plane Latour is working on, the punctuated plane or the plane of the network itself. I'll leave it to Reassembling the Social to try and work on this more precisely, make it more specific. I'll also be putting up little entries that actually work out this concept of punctuation (or the operative shift from powers to forces and back again, which indeed ANT can account for--I think it is its most interesting concept).
Rather, I'm trying also to weigh what Latour's way of looking at things is concretely giving us in terms of ways into problems via his particular concepts. On this point, I think it is important to pay attention to the phenomenology of reading Latour, as it were--or what I'd prefer to call just the feeling of the concepts at work here. As we move into philosophical characterizations of Latour, through Harman, we are inevitably going to be more focused on the system itself, the coherence of the concepts and their interrelatedness: this (metaphysics) is all right, but its also not where we're at home, as literary critics. Where we're at home is, I think, in this sphere of feeling… feeling the contours as it were, of the notions, testing them out, using them, touching them in a way that philosophy--if you'll pardon my turning a conflict of the faculties into a conflict of the senses--can only try and get at by seeing (or characterizing as "aesthetic"), however much it tries to become pragmatic or turn the philosopher himself into a phronemos. This no doubt gives us a bit of an edge (which a more rhetorically minded philosophy like Harman's is itself somewhat regaining) in seeing these concepts as somewhat useless insofar as they are not also seen to relate to this experience of deploying them somewhat against the grain, or applying them to new cases or areas in which they might not (if you just viewed them in terms of system) really be seen as pertinent (in the semiological/structuralist sense of this word that I love--though pertinence also constitutes scientificity for Greimas and these same semiologists, let's not forget).
In short, this sort of (literary critical--and I stress both of these words as we move into essays on critique, though perhaps we might describe literary criticism more as analysis and reading, and thereby evade much of the anti-critical talk) sense of how concepts work allows us to see how they at times don't work, or work according to tendencies that are somewhat weird. Here--just to bring this all to a conclusion--we get the odd resemblance of these fables to something like a history of ideas… which is something that, if you view it in the terms of the philosophy/theory itself, you won't be able to see--since you'd rather be making sense of this precisely in terms of that system (ANT).
What I'm saying is that there is something in Latour--in this allegory-fable connection--that seems like it's too familiar for a system that claims to do what it is claiming to do. This, I'll say again, is something typical of philosophies of immanence, but doesn't just reduce to something like an incongruity between the "doctrine" and the "performance," which is then quickly made into a (bogus) refutation. It is an aspect of the way that Latour is opening up problems, and I just want to mark it here… as my sort of contribution to an account of how reading Latour feels (phenomenology of reading Latour).
By unwinding the adventures of Reason, we can imagine how it was before it turned into an unlivable chimera, a monstrous Big Animal whose unrest horrifies the masters even today. Needless to say, this is an attempt at archaeology-fiction: the invention of a mythical time when political truth-saying would have been fully understood, a world that was later lost through the accumulation of mistakes and degeneration (237).
The essay in other words seeks to see how reason worked in politics (through a reading of the Gorgias) in order to politicize science--since scientists would make politics external to science precisely by claiming reason isn't political. Reason, in other words, is not expert knowledge.
In true Nietzschian fashion (I am tagging this as I go: someday we can return to all these #Nietzsche-s), there's a lot of Socrates-bashing along these lines:
To see a political project through, with the crowd, for the crowd, in spite of the crowd, is so stunningly difficult that Socrates flees from it. But instead of conceding defeat and acknowledging the specificity of politics, he destroys the means of practicing it, in a sort of scorched-earth policy the blackened wreckage of which is still visible today. And the torch that set the public buildings ablaze is said to be that of Reason! (239)
The utterly non-Nietzschian thing here is that this does not describe war, but rather the state of peace and politics (which is why, by the way, Latour refuses to see the science wars as a war, and not as a political crisis for the sciences, which I think is an unbelievably brilliant move, killing off the "two cultures" bullshit--which, remember, is C.P. Snow's depressingly British, moralistic formulation--for good). Nietzsche was, after all, quite apolitical--unless you stretch him or modify him (sorry, Nietzschians).
Regardless, Latour goes on to outline a political reason that "cannot possibly be the object of professional knowledge" (239), and reconstructing the original Body Politic by "simply taking positively the long list of negative remarks of Plato" (237). What's really interesting is that this all involves a reversal of the role of rhetoric (which, however, does not land him in an English department dripping with postmodern extensions of Sapir-Whorf)--something evident of course from Science in Action onward but something we haven't quite really remarked upon yet (except in terms of fiction). Socrates makes politics into rhetoric, and then his whole philosophical effort turns around deciding "what sort of knowledge rhetoric is" (239). Latour turns this around not by celebrating rhetoric and mobilizing it against Socrates' knowledge (a la Derrida in Dissemination--and everywhere else). Rather, he thinks rhetoric is first and foremost political, and therefore its relationship to knowledge (Socrates' focus) has less weight than its ability to shape reality:
The nonprofessional nature of the knowledge of the people by the people turning the whole into an ordered cosmos and not a "disorderly shambles" [Latour quotes Plato] becomes, through a subtle shift, the right of a few rhetoricians to win over real experts if they know nothing (240).
Latour is fine with this, even though that shift is the shift of the Gorgias as a whole, i.e. a shift made by Plato following Socrates, and altering the remarks of Callicles--Latour's hero--and others. He's so fine, he goes on to say the following, in an unbelievably refreshing reconsideration of Sophism, which does not just valorize it (Derrida again), but also makes the Sophist's point differently:
What the Sophists meant was that no expert can win in the public agora because of the specific conditions of felicity that reign there (240).
But then comes Socrates, who changes this around by divorcing rhetoric from the political:
After Socrates' translation, this sensible argument becomes the following absurd one: any expert will be defeated by an ignorant person who knows only rhetoric (240).
You have to read the whole thing to see how great this argument is, but one thing I want to take away from it all is that rhetoric is returned out of language to the sphere of politics. When so much literary theory is based on the linguistic turn itself, this makes possible some notion that language, after all, is not that primary, and that perhaps theory can be something other than the assertion of the primacy of language or language-substitutes (traces)--with the corollary that if language isn't primary all of theory collapses (as some theorists now feel, as they come under attack from Latour-like realists). Nor does this mean that we have to return to some notion of reference, as pro-theory people (who see it developing along a suspiciously straight line) might assume, and which leads me to think that perhaps most theory (this is the entire aim of de Man's work) is not even an effort to deal with the primacy of language so much as the effort to keep the referent suspended (something structuralist poetics did much better than any Foucauldian theory of discourses)… and that maybe a new consideration of the role of language is actually made possible by this Latourian position, beyond postmodernism.
Anyway, rhetoric is returned to politics, and thereby reason is never allowed to become apolitical, in this vast sort of alternate history Latour sketches out by reading the Gorgias against its author and main protagonist. And this fable, this counter-dialectic (in all senses), shows both the real state of politics and the real role of reason, by narrating how a specialized form of it "was kidnapped for a political purpose it could not possibly fulfill," (258), and turned, now, into the banner under which anti-political politics of science can mobilize.
In other words, the fable ends up as policy. But how did this happen? Like in "Do You Believe in Reality?" and We Have Never Been Modern, these fables--which suspiciously look like histories of ideas--are turned into those powers or punctuations (as Law calls them) which need to be undone by ANT. I guess Latour is thinking that as long as he's dealing with powers (with Constitutions), he might as well explicitly mark his own narratives as accounts of powers, not forces--that way they can be analyzed by ANT when the time comes. In other words, these fables (which so often deal with big terms--like realism, materialism, research, science, critique) shouldn't be taken as networks themselves, but power-sketches, organizations of the punctuations--a nice inversion of the task of real rhetoric, which would then be ANT itself, coming along to undo and make specific all of the fabular.
But that's not the whole story. For in the case of something like Aramis, or Pasteur--which, while they are novelized (or at least the story of the first is), are also case studies (and Aramis is indeed a true fiction, as Latour says in his intro)--we have something like these fables not working only in this sort of punctuated sphere. They are, rather, narratives that easily slip into ANT itself. How? Precisely through what you were noting a long time ago, Evan, and I too noticed: allegory--the weird way that pasteurization and now even the Aramis project itself works exactly like a network, before ANT gets to it and messes it up (shows it to be much larger, etc.).
Now, my question here about the fables--which is, in a way, a sort of basic question of how to take these sort of more general essays and works by Latour (like WHNBM itself)--is not just one of trying to figure out what plane Latour is working on, the punctuated plane or the plane of the network itself. I'll leave it to Reassembling the Social to try and work on this more precisely, make it more specific. I'll also be putting up little entries that actually work out this concept of punctuation (or the operative shift from powers to forces and back again, which indeed ANT can account for--I think it is its most interesting concept).
Rather, I'm trying also to weigh what Latour's way of looking at things is concretely giving us in terms of ways into problems via his particular concepts. On this point, I think it is important to pay attention to the phenomenology of reading Latour, as it were--or what I'd prefer to call just the feeling of the concepts at work here. As we move into philosophical characterizations of Latour, through Harman, we are inevitably going to be more focused on the system itself, the coherence of the concepts and their interrelatedness: this (metaphysics) is all right, but its also not where we're at home, as literary critics. Where we're at home is, I think, in this sphere of feeling… feeling the contours as it were, of the notions, testing them out, using them, touching them in a way that philosophy--if you'll pardon my turning a conflict of the faculties into a conflict of the senses--can only try and get at by seeing (or characterizing as "aesthetic"), however much it tries to become pragmatic or turn the philosopher himself into a phronemos. This no doubt gives us a bit of an edge (which a more rhetorically minded philosophy like Harman's is itself somewhat regaining) in seeing these concepts as somewhat useless insofar as they are not also seen to relate to this experience of deploying them somewhat against the grain, or applying them to new cases or areas in which they might not (if you just viewed them in terms of system) really be seen as pertinent (in the semiological/structuralist sense of this word that I love--though pertinence also constitutes scientificity for Greimas and these same semiologists, let's not forget).
In short, this sort of (literary critical--and I stress both of these words as we move into essays on critique, though perhaps we might describe literary criticism more as analysis and reading, and thereby evade much of the anti-critical talk) sense of how concepts work allows us to see how they at times don't work, or work according to tendencies that are somewhat weird. Here--just to bring this all to a conclusion--we get the odd resemblance of these fables to something like a history of ideas… which is something that, if you view it in the terms of the philosophy/theory itself, you won't be able to see--since you'd rather be making sense of this precisely in terms of that system (ANT).
What I'm saying is that there is something in Latour--in this allegory-fable connection--that seems like it's too familiar for a system that claims to do what it is claiming to do. This, I'll say again, is something typical of philosophies of immanence, but doesn't just reduce to something like an incongruity between the "doctrine" and the "performance," which is then quickly made into a (bogus) refutation. It is an aspect of the way that Latour is opening up problems, and I just want to mark it here… as my sort of contribution to an account of how reading Latour feels (phenomenology of reading Latour).